Instead, there was a navy blazer paired with gray flannels, a yellow cabled cashmere cardie, and a banker-striped shirt that was quintessential Bedford, N.Y. One group was actually called Bedford Estate: Dusty pink cords and an authentic-looking Fair Isle gave the prep some punch.
With Black Label, Lauren consolidated the monochrome urban mood that is this range's signature, motocross leathers and all. Still the trim Savile Row silhouette with a pop of color in the shirts—and a fresh new luxe in a cashmere hoodie paired with a jacket in a silvery herringbone—but there was also a little devil in the details: a silk tie with a motif of topper-sporting skulls, a shirt with horizontal stripes, a twinset of cabled sweater and cardigan.
Mens Ralph Lauren 2009 Fall Collection
The Black collection adopted menswear's narrower silhouette some time ago—the high armhole, the skinny, flat-front pant. The silhouette was emphasized even more when it was shown as a monochrome combination of double-breasted suit, shirt, and tie in the same optical blue tone. But for Spring, the tailoring was complemented by an energetic toughness in the accompanying sportswear. Aside from hints of army life in a paratrooper jacket or pieces in olive linen, there was something of The Heroes of Telemark in a silver and white group. This time around, the same sort of alchemy also applied to the more conservative (for want of a better word) Purple and Black collections. With Purple, color was the key; paisleys and bright hues were played against tailored pieces. And with the suits, there was a new emphasis on lightness.
Ralph's own predilections were evident in trousers tied at the waist with a spotted tie, à la Gary Cooper. True, it was a stylist's touch, but so what, if that inspires you to play with the clothes. Lauren certainly provided plenty to work with.
Mustique, Palm Beach, and St. Bart's in a happy rainbow of paisleys,
Ralph Lauren - he opened with a little black dress, but he soon moved into taupe-y tweed suiting, soft pastel knits, and rich velvet dresses, finishing up with antique ivories and goldsalong the way he showcased his great-looking outerwear and subtly glamorous evening options, while touching on such treasured motifs as haberdashery, the equestrian world, and a spot of Anglophilia in the form of Fair Isle knits.
For the evening looks that closed the show, he stowed the outerwear, sending out one shimmery dress after another in ivory satin, pale pink charmeuse, or vintage gold lamé. The highlight of the bunch was a delicate frock with a silvery bodice and gauzy pink skirts to the knee, but they all fairly glowed.
Source: http://www.style.com/
New York – If any collection summed up the mood in the latest New York Fashion Week it was that of Ralph Lauren, whose patchwork yet patrician ideas for fall 2009 were all about high society entertaining.
Underneath a series of glittering crystal chandeliers, Lauren sent out splendid patchwork jackets and vests in mixes of windowpane check and Donegal tweed. But he varied their partnership, showing them with anything from tan cavalry twill pants to honey charmeuse silk paisley gowns.


